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| 1950 |
| | | Anton Dolin and Alicia Markova form the Festival Ballet, in time for next year's Festival of Britain | |
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| 1951 |
| | | British-Canadian choreographer Celia Franca founds the National Ballet of Canada | |
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| 1951 |
| | | A Question of Upbringing begins Antony Powell's 'A Dance to the Music of Time' | |
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| 1953 |
| | | British choreographer Kenneth MacMillan creates his first ballet, Somnambulism, to music by Stan Kenton | |
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| 1953 |
| | | Merce Cunningham forms his own company of dancers, initially at Black Mountain College in North Carolina | |
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| 1954 |
| | | US choreographer Paul Taylor begins a long and fruitful collaboration with Robert Rauschenberg as his set designer | |
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| 1955 |
| | | British dancer Joan Benesh and her husband Rudolf develop the Benesh system of dance notation | |
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| 1956 |
| | | Jerome Robbins creates the ballet The Concert, to music by Chopin | |
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| 1956 |
| | | The Sadler's Wells Ballet, dancing now at Covent Garden, is renamed the Royal Ballet | |
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| 1956 |
| | | Russian dancer Galina Ulanova proves a sensation on tour in Europe and the USA in her late forties | |
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